ื—ืœืง ืžื”ืžื™ื“ืข ืชื•ืจื’ื ื‘ืื•ืคืŸ ืื•ื˜ื•ืžื˜ื™. ืœื”ืฆื’ื” ื‘ืฉืคืช ื”ืžืงื•ืจ

ืจืฉืช ื”ืžืืจื—ื™ืโ€‘ื”ืฉื•ืชืคื™ื ื‘Piano di Sorrento

ืจืฉืช ื”ืžืืจื—ื™ืโ€‘ื”ืฉื•ืชืคื™ื ืžืืคืฉืจืช ืœื›ื ืœื”ื™ืขื–ืจ ื‘ืงืœื•ืช ื‘ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ืžืงื•ืžื™ื™ื ื•ืžื ื•ืกื™ื ืฉื™ื“ืื’ื• ืœื‘ื™ืช ื•ืœืื•ืจื—ื™ื ืฉืœื›ื.

ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ื™ื›ื•ืœื™ื ืœืขื–ื•ืจ ืœื›ื ืขื ื”ื™ื‘ื˜ ืื—ื“ ืื• ืขื ื”ื›ื•ืœ

ื”ื’ื“ืจืช ื”ืคืจืกื•ื

ื”ื’ื“ืจืช ืžื—ื™ืจื™ื ื•ื–ืžื™ื ื•ึผืช

ื ื™ื”ื•ืœ ื‘ืงืฉื•ืช ื”ื–ืžื ื”

ื”ืชื›ืชื‘ื•ืช ืขื ื”ืื•ืจื—ื™ื

ืชืžื™ื›ื” ืœืื•ืจื—ื™ื ื‘ื ื›ืก

ื ื™ืงื™ื•ืŸ ื•ืชื—ื–ื•ืงื”

ืฆื™ืœื•ื ื”ื ื›ืก

ืขื™ืฆื•ื‘ ืคื ื™ื ื•ืกื˜ื™ื™ืœื™ื ื’

ืจื™ืฉื•ื™ ื•ื”ื™ืชืจื™ ืื™ืจื•ื—

ืฉื™ืจื•ืชื™ื ื ื•ืกืคื™ื

ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ืžืงื•ืžื™ื™ื ืขื•ืฉื™ื ืืช ื–ื” ื”ื›ื™ ื˜ื•ื‘

ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ื‘ืื–ื•ืจ ืฉืœื›ื ื™ื›ื•ืœื™ื ืœืขื–ื•ืจ ื‘ื”ืชืžื•ื“ื“ื•ืช ืขื ื”ืชืงื ื•ืช ื”ืžืงื•ืžื™ื•ืช ื•ืœื’ืจื•ื ืœื ื›ืก ืฉืœื›ื ืœื‘ืœื•ื˜.

Riccardo

ืกื•ืจื ื˜ื•, ืื™ื˜ืœื™ื”

ื‘ื–ื›ื•ืช ื—ื•ื•ื™ื™ืช ื”ืื™ืจื•ื— ื”ืจื‘ - ืฉื ืชื™ืช ืฉืœื™, ืื ื™ ืžืฆื™ืข ืฉื™ืจื•ืช ืžืœื ื›ื“ื™ ืœืžืงืกื ืืช ื”ืคื•ื˜ื ืฆื™ืืœ ืฉืœ ื‘ืชื™ื.

4.79
ื“ื™ืจื•ื’ ืื•ืจื—ื™ื
7
ืฉื ื•ืช ื ื™ืกื™ื•ืŸ ื‘ืื™ืจื•ื—

Costantino

ืกื•ืจื ื˜ื•, ืื™ื˜ืœื™ื”

ืื ื™ ืžื ื”ืœ ืืช 4 ื”ื“ื™ืจื•ืช ืฉืœื™ ื‘ืกื•ืจื ื˜ื•. ืื ื™ ืจื•ืฆื” ืœืขื–ื•ืจ ืœืžืืจื—ื™ื ืื—ืจื™ื ืœืงื‘ืœ ื‘ื™ืงื•ืจื•ืช ืžืขื•ืœื•ืช ื•ืœื”ื’ื“ื™ืœ ืืช ื”ืจื•ื•ื—ื™ื ืฉืœื”ื.

4.95
ื“ื™ืจื•ื’ ืื•ืจื—ื™ื
7
ืฉื ื•ืช ื ื™ืกื™ื•ืŸ ื‘ืื™ืจื•ื—

Massimo

Vico Equense, ืื™ื˜ืœื™ื”

ื”ืชื—ืœืชื™ ื‘ื ื™ื”ื•ืœ ืกื˜ื•ื“ื™ื• ืžืฉืคื—ืชื™. ื”ืชืฉื•ืงื” ื”ื•ื‘ื™ืœื” ืื•ืชื™ ืœืขื–ื•ืจ ื‘ื”ืฆืœื—ื” ืœืื ืฉื™ื ืื—ืจื™ื ื‘ื ื™ื”ื•ืœ ื”ื ื›ืกื™ื ืฉืœื”ื.

4.71
ื“ื™ืจื•ื’ ืื•ืจื—ื™ื
7
ืฉื ื•ืช ื ื™ืกื™ื•ืŸ ื‘ืื™ืจื•ื—
ืžืฆื™ืืช ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื

ื–ื” ืงืœ ืœื”ืชื—ื™ืœ

  1. 01

    ืžื–ื™ื ื™ื ืืช ื”ืžื™ืงื•ื ืฉืœ ื”ื‘ื™ืช

    ืืชื ืžื•ื–ืžื ื™ื ืœืขื™ื™ืŸ ื‘ืคืจื˜ื™ ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ืฉื–ืžื™ื ื™ื ื‘Piano di Sorrento, ืœืฆื“ ื”ืคืจื•ืคื™ืœ ืฉืœื”ื ื•ื”ื“ื™ืจื•ื’ื™ื ืฉืงื™ื‘ืœื•ย ืžืื•ืจื—ื™ื.
  2. 02

    ืžืชื—ื™ืœื™ื ืœื”ื›ื™ืจ ืืช ื”ืžืืจื—ื™ืโ€‘ื”ืฉื•ืชืคื™ื

    ืืคืฉืจ ืœืฉืœื•ื— ื”ื•ื“ืขื” ืœื›ืžื” ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ืฉืชืจืฆื•, ื•ื›ืฉืชื”ื™ื• ืžื•ื›ื ื™ื, ืชื•ื›ืœื• ืœื”ื–ืžื™ืŸ ืื—ื“ ืžื”ื ืœืื™ืจื•ื—ย ืžืฉื•ืชืฃ.
  3. 03

    ืžืฉืชืคื™ื ืคืขื•ืœื” ื‘ืงืœื•ืช

    ืืคืฉืจ ืœื”ืชื›ืชื‘ ื™ืฉื™ืจื•ืช ืขื ื”ืžืืจื—ื™ืโ€‘ื”ืฉื•ืชืคื™ื, ืœืชืช ืœื”ื ื’ื™ืฉื” ืœืœื•ื— ื”ืฉื ื”ย ื•ืขื•ื“.

ืฉืืœื•ืช ื ืคื•ืฆื•ืช

ืœืžืฆื•ื ืžืืจื—ื™ืโ€‘ืฉื•ืชืคื™ื ื‘ืื–ื•ืจ